Having an audience is an important, and arguably, definitive aspect of any art piece. If a piece is meant to have an audience pulled from a population of strangers, then there must be something about its aesthetic that draws viewers. The goal is to engage the viewer using art, so they can then explore the themes and ideas being expressed by the piece (both those ideas they have interpreted, and those of which the artist meant to express).
In my attempt to attract a viewer, and illicit some immediate response, I will often use macabre or potentially shocking imagery. I feel that this not only secures the attention of a viewer but is also appropriate when the piece is an attempt to depict, and discuss, painful or controversial themes. However, while the imagery itself may be macabre, I work to present it in an aesthetically appealing manner. I seek to create some beauty in the macabre, or grotesque. I feel like this helps to keep viewers engaged after their the initial, attention gaining shock.
Spending his entire life in Maryland, Stephen Durkin has always been an artist. He attended James Hubert Blake High School where he studied visual arts. He would later go on to earn an Associate of Art in Art and a Certificate in the Specialization in Fine Art Printmaking at Montgomery College while earning his Bachelor of Science in Social Science at University of Maryland Global Campus (summa cum laude). Focusing primarily on painting and printmaking, Stephen's figurative surrealist pieces have shown across the United States and can be found in many private collections.